lovely remix (MAKE IT FAST AND HIGH-PITCHED AND HE'LL LIKE IT THE DAFT LAD) of Tweet's 'Oh My', the best song about wanking ever (I know very few, and it's certainly better than 'Me and My Monkey'):
actually not that big a fan of the original, you know. and I don't like her Bootie Luv cover which broke my heart. She's exactly the kind of person I ought to adore!
xx
Wednesday, 25 May 2011
Thursday, 19 May 2011
past immemorial
Consider 'Then He Kissed Me' by The Crystals.
Note that the titular snog comes at the end of each verse, almost an afterthought; the main event here is not the main event. The buildup, both outward and internal, is meticulously described, and the thing we've all been waiting for is left undescribed, except for the middle eight. Then we get meeting the parents, and the proposal, all events suffixed with the inevitable kiss.
It's so true as well, isn't it? This IS how people talk about getting off with others. How many times have you heard or had this conversation:
Friend: "So what happened with Jane (sic) last night?"
You/Our hero: "Oh well y'know we were in Bar till 11 and then we went for a walk and she has work today so we got something to eat and I had to get cash out so we went down Bridge Street and then sat on the benches there for a bit and I walked her home and then y'knowwekissed and I got the bus home."
Or words to that effect.
Why does this happen? Because when you love someone the good stuff feels inevitable. It's the way you get there that you worry and want to talk about. Proper great.
-------------
It's like the matter-of-fact, 'and then my wife WAS DEAD' which comes smack down slipped-in in the middle of Leadbelly's magnum opus, followed up immediately by 'that started me a grievin'', as if it's just another thing to put on the to-do list:
-----------------
The Beach Boys covered Then He Kissed Me in a reasonably mediocre version, but it does its own tucked-in-shirt nickle-for-the-jukebox-with-change-left-for-a-'shake'-baby charm, I guess:
But they only truly channelled the spirit of Then He Kissed Me in All Summer Long:
Lyrically, it is superb, meandering randomly from inner thoughts and memories to pleasantries directed at someone, someone real.
But! The harmonies make it something exceptional. 'Miniature golf and Hondas in the heat', they sing ensemble, but then the a single-voice harmony (Brian?) comes in to echo it, but never gets to the end, ever: 'Miniature golf and hondas in th...' etc. Even at the moment of recollection, the memory is already lost, or fading fast at least.
I don't care whether this was deliberate or not. That should be clear to you all by now.
-----------
The Ronettes also did Then He Kissed Me, which is fine and as with any song of there's it should be called Then He Kissed Me (At Christmas).
---------------
I would also like to draw attention to the single, isolated scream of mixed emotions at 1:56 in the original, lost amongst a flurry of strings.
Note that the titular snog comes at the end of each verse, almost an afterthought; the main event here is not the main event. The buildup, both outward and internal, is meticulously described, and the thing we've all been waiting for is left undescribed, except for the middle eight. Then we get meeting the parents, and the proposal, all events suffixed with the inevitable kiss.
It's so true as well, isn't it? This IS how people talk about getting off with others. How many times have you heard or had this conversation:
Friend: "So what happened with Jane (sic) last night?"
You/Our hero: "Oh well y'know we were in Bar till 11 and then we went for a walk and she has work today so we got something to eat and I had to get cash out so we went down Bridge Street and then sat on the benches there for a bit and I walked her home and then y'knowwekissed and I got the bus home."
Or words to that effect.
Why does this happen? Because when you love someone the good stuff feels inevitable. It's the way you get there that you worry and want to talk about. Proper great.
-------------
It's like the matter-of-fact, 'and then my wife WAS DEAD' which comes smack down slipped-in in the middle of Leadbelly's magnum opus, followed up immediately by 'that started me a grievin'', as if it's just another thing to put on the to-do list:
-----------------
The Beach Boys covered Then He Kissed Me in a reasonably mediocre version, but it does its own tucked-in-shirt nickle-for-the-jukebox-with-change-left-for-a-'shake'-baby charm, I guess:
But they only truly channelled the spirit of Then He Kissed Me in All Summer Long:
Lyrically, it is superb, meandering randomly from inner thoughts and memories to pleasantries directed at someone, someone real.
But! The harmonies make it something exceptional. 'Miniature golf and Hondas in the heat', they sing ensemble, but then the a single-voice harmony (Brian?) comes in to echo it, but never gets to the end, ever: 'Miniature golf and hondas in th...' etc. Even at the moment of recollection, the memory is already lost, or fading fast at least.
I don't care whether this was deliberate or not. That should be clear to you all by now.
-----------
The Ronettes also did Then He Kissed Me, which is fine and as with any song of there's it should be called Then He Kissed Me (At Christmas).
---------------
I would also like to draw attention to the single, isolated scream of mixed emotions at 1:56 in the original, lost amongst a flurry of strings.
Thursday, 12 May 2011
"obsession is a terrible thing, does it happen to everyone?"
Further to my 'people should write more songs about mobiles, they are the romantic loci of our age' idea: What's sweeter than inputting a girl's surname into your predictive text dictionary, knowing that it's gonna be prevalently used in the future?
big post coming soon
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big post coming soon
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